The lights dim in our makeshift production office in Transylvania. It’s 2 AM, and I’m reviewing footage from our overnight shoot at Bran Castle, surrounded by hard drives, camera equipment, and a production team that looks simultaneously exhausted and exhilarated. Ten years ago, I was documenting strange cultural sites alone with a basic camera and field notebook. Now I’m running a crew for Season 2 of Weird World Adventures.
The transition from MaloriesAdventures.com to an Amazon Prime series wasn’t something I planned. It evolved organically through a series of deliberate choices, persistent networking, and an unwavering commitment to treating the world’s strangest places with intellectual rigor rather than cheap sensationalism. Here’s how a personal blog about weird anthropology transformed into a global media platform.
The Accidental Entrepreneur
I never set out to build a brand. As a cultural journalist and Explorers Club member, my original goal was simple: document unusual cultural sites that revealed deeper truths about human societies. MaloriesAdventures.com began as a practical solution to organizing my extensive field notes and photography from excavations in Cambodia, conservation work in South Africa, and folklore research across Europe.
“Your approach to these weird places is unique,” my doctoral advisor told me after reading my early field journals. “You’re treating folklore and strange cultural sites with the same methodological rigor you’d apply to conventional archaeological research.”
That comment sparked a realization: there was a significant gap in both academic literature and popular media. Most scholarly work ignored “weird” sites as frivolous, while popular content sensationalized them without cultural context. I positioned MaloriesAdventures.com precisely in that gap—offering substantive anthropological analysis of unusual places in an accessible format.
The blog’s transition from personal research journal to public platform happened gradually. I standardized my documentation methodology, creating consistent categories that would make the content navigable for readers beyond my academic colleagues. Each location received:
- Historical context and scholarly literature review
- Cultural significance analysis
- First-person documentation of physical features
- Interviews with local experts and community members
- Comparative analysis with similar phenomena in other cultures
This systematic approach distinguished MaloriesAdventures.com from typical travel blogs, attracting a dedicated audience of what I called “intellectual adventurers”—readers who weren’t satisfied with either superficial tourism or impenetrable academic texts.
From Text to Visual Storytelling
The pivot to video content wasn’t planned. It began as a practical response to the limitations of text and still photography. While documenting the oracle bone sites in Greece, I realized that static images couldn’t capture how the fracture patterns in these ancient divination tools appeared under changing light conditions—a crucial element in understanding how priests “read” divine messages.
“We need to film this,” I told my research partner. “The way these patterns reveal themselves and disappear as the light changes is essential to understanding the divination process.”
That first experimental video, shot on basic equipment and edited in my hotel room, received more engagement than any blog post I’d published. The comments revealed why: viewers felt more immersed in the experience, more connected to the cultural practices I was documenting.
This insight led to a deliberate content strategy: using text for detailed analysis and scholarly context while developing video content to capture experiential elements that words couldn’t adequately convey. I invested in better equipment, taught myself basic videography and editing, and began producing 5-10 minute documentary segments for the website.
The transition wasn’t smooth. My early videos were technically rough, with audio problems and lighting issues that make me cringe when I occasionally revisit them. But they connected with viewers in ways my written content never had.
“Your video about the bone churches in Portugal helped me understand something I’ve been struggling to convey in my own research,” wrote a folklore professor from Edinburgh. “You managed to capture not just the physical space but the emotional resonance these sites have for local communities.”
From Independent Creator to Production Partner
The leap from creating web videos to developing a television series happened through a combination of networking, timing, and preparation. At a conservation conference where I was presenting research on endangered cultural sites, I met a documentary producer who had seen my video series on mythological geography.
“Your content has something most travel and paranormal shows lack,” she told me over coffee. “You respect both the cultural significance of these places and the intelligence of your audience. Have you ever considered developing this for television?”
That conversation led to a year-long process of concept development, pilot production, and eventually pitching to streaming platforms. What distinguished our proposal from similar content was our commitment to anthropological integrity—treating weird places as culturally significant rather than mere curiosities.
The learning curve was steep. I had to translate my academic training and solo content creation process to a team environment with producers, camera operators, researchers, and editors. The production process for Season 1 of Weird World Adventures taught me more about collaboration, communication, and compromise than a decade of field research had.
“Television is fundamentally different from blogging,” our executive producer explained during pre-production. “You’re no longer just responsible for your own research and documentation—you’re leading a team and making decisions that impact everyone’s work.”
This transition required developing new skills quickly. I had to learn to articulate my vision clearly to crew members, make decisions under the pressure of production schedules and budgets, and navigate the complex ecosystem of television development. Most challenging was maintaining the intellectual integrity of my approach while creating content accessible to a broader audience.
Building a Sustainable Weird Empire
With Season 1 successfully launched on Amazon Prime and Season 2 in production, MaloriesAdventures.com has evolved into something more complex than either a blog or a TV show. It’s become an integrated media platform where each piece of content exists in a carefully designed ecosystem:
- The television series provides immersive experiential content, showing viewers what it feels like to explore these strange places
- The website delivers deeper analysis, historical context, and scholarly resources for those wanting to understand more
- Social media channels create community engagement and real-time interaction with viewers/readers
- Speaking engagements at universities and conferences connect the content with academic research
- My forthcoming books explore theoretical frameworks that unite these weird phenomena across cultures
This integrated approach has created something unusual in the media landscape—content that simultaneously satisfies academic rigor, attracts mainstream audiences, and preserves cultural heritage.
“What you’ve built isn’t just a show or a website,” remarked a media studies professor who uses our content in her courses. “It’s a new model for how scholarly expertise can be shared beyond academic circles without sacrificing intellectual integrity.”
The business aspects of this evolution have been as challenging as the creative ones. Building a financially sustainable platform has required difficult decisions about monetization, sponsorships, and partnerships. I’ve declined lucrative opportunities that would have compromised our anthropological approach, while accepting others that aligned with our mission.
We’ve developed strict guidelines for potential partners:
- No exploitation of sacred or sensitive cultural sites
- No sensationalizing or misrepresenting local beliefs
- No staging or fabricating “weird” phenomena
- Financial transparency with local communities where we film
These principles have sometimes limited our commercial opportunities, but they’ve protected what makes MaloriesAdventures.com and Weird World Adventures distinctive—our credibility with both academic audiences and the communities whose cultural sites we document.
The Future of Weird
As we prepare to launch Season 2 and begin development on Season 3, I’m focused on expanding our documentation of endangered weird sites—places of unusual cultural significance threatened by climate change, development, or cultural erasure.
The platform we’ve built now serves multiple purposes:
- Preserving detailed documentation of sites that may not survive the next decade
- Providing a framework for understanding the anthropological significance of “weirdness” across cultures
- Creating economic opportunities for local communities through responsible cultural tourism
- Building bridges between academic researchers and the broader public
What began as a personal blog documenting strange places has evolved into something I never anticipated—a platform that’s changing how people understand cultural heritage, folklore, and the unusual places that reveal deeper truths about human experience.
“The weird matters because it shows us where the boundaries of culture are tested, reinforced, or transformed,” I explained in a recent university lecture. “By documenting these places with both scholarly rigor and experiential immersion, we’re creating a new way to understand what makes us human.”
From field notes to Prime Time, the journey of building MaloriesAdventures.com has been its own kind of weird adventure—unexpected, challenging, and ultimately more rewarding than I could have imagined. As we continue expanding from digital content to television to publishing, our mission remains unchanged: to demonstrate that the world’s strangest places often reveal its most profound cultural truths.
The production assistant taps me on the shoulder, pulling me from my reflection. “We’ve got that footage from the castle corridor ready for review,” she says. “You won’t believe what the thermal cameras picked up.”
I smile and follow her to the editing station. Another weird day at the office, documenting the strange places that make our world so fascinating.
Malorie Mackey is the founder of MaloriesAdventures.com and creator/host of Weird World Adventures on Amazon Prime. Her forthcoming book, “The Anthropology of the Unusual,” examines how cultures across time and space have used strange places to process collective experiences of wonder, fear, and transformation.
