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Video review for Front End only Sigma
Sigma – Text From This Video
This morning on the podcast, we’ll be discussing the five distinguished names. We’re all familiar with the meaning of the d in the name. This is a dynamic microphone, and more specifically, a 37 XLR dynamic microphone, which is indicated by the “right” symbol. What a crazy thought! However, I feel compelled to note the existence of a microphone that, in my opinion, has great potential for newcomers. And I do want to give credit where credit is due, so that’s cool. It’s just one more thing I can encourage to try to get someone to fall in love with audio. Discreet microphones gave this product a negative barking evaluation.
That review was a clink for me to see. If you want to go, you should listen to his review because he does have a somewhat deeper voice and the small affiliate link bought it because of him. Watching as many reviews as possible is always the wisest course of action when considering the purchase of any product, and this is especially true whether shopping for something as technical as a microphone or as subjective as a camera. Just wait and see what conclusions each person draws. That being said, I must confess that I did, in fact, pay cash for this microphone.
I did not receive it from Fifine, but even if I had, I would still feel compelled to express my viewpoint regardless of the source. Budget-friendly, high-quality sound may be had from brands like Five Fine and Mayano. Have you found a single flaw in everything they’ve produced? False, but they all have some good alternatives to consider. A microphone is available in Mayano. The PD100 has a retail price of $45 and may be purchased online. In addition to the XLR cable, this one also includes a little more robust desk tripod.
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This justifies the slight price differential. However, the quality of the microphone’s sound is my primary concern, therefore I’ll be contrasting two popular models, the Fifine k669 d and the Mayano PD100. A few more mics, such the XM8500 and perhaps a Rode pod mic, will also be included. Well, I did check out Bark’s review, and I thought the microphone was quite cool. The feature is the reason I bought it, although it may not work well with my voice.
We’ll see a little footnote before we go any farther today, even though it’s not something I particularly enjoy seeing on the products I test. My gain is set at exactly 50 on my Focusrite Vocaster one, but I can’t wait to try it out and see how it sounds, so let’s get right in. This 37-degree dynamic microphone is offered for sale alongside a tripod stand suitable for use on a desk. The microphone will already have a hard mount attached to it when you take it out of the packaging, however it is removable. In addition to the microphone, you’ll receive a little piece of paperwork.
The k669d. Amazing craftsmanship went into making this microphone. Looks and feels like a 37-pound behemoth with a lot of attitude. When it comes to setting up the desktop tripod stand, I have no idea what I’m doing. It is brief and won’t provide you much opportunity to speak into the microphone.
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On the other hand, this is made entirely of metal. A 37-microphone and its accompanying aluminum tripod. It’s all metal, baby, once again, but not the most desired height, and if you plan to put the microphone on this and really set it on your desk, and you want to move practically anything about or type on your keyboard, it will be troublesome.
Probably the only aspect of the construction I’m not crazy about is the rigid mount. The plasticky parts are the worst, but I can’t really expect miracles from such trinkets. when the mic is constructed ahead of time. This sturdy mount is cheap, and it does an outstanding job. The bottom portion is threaded for a 5/8 inch nut and then a 3/8 inch nut immediately afterward. This means that a stand is unnecessary.
However, you will need an adapter with this if you plan on using it on a device with a short 3/8-inch threading and a subsequent obstruction. Not compatible with that, but designed for cheaper boom arms with the 3/8-inch threading on the top of the tiny long section. Even though it would have been awesome if it had come with a windscreen, I’ll attempt to locate one that is compatible with this model because even the cheapest of windscreens isn’t all that exciting. I think this is a win in terms of accessories and construction, and if you’re concerned about the plosives we’ll let you know which one we recommend. The microphone itself lacks any distinguishing characteristics.
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Because there are no controls of any kind on this microphone, I guess it’s safe to go on to the few specifications I do know. A dynamic microphone, the five-fine k669d is in the fine category. Since it is a dynamic microphone and is thus inactive, it is an XLR microphone and has a cardioid polar pattern. There is no need for phantom electricity to operate. It can pick up frequencies from 50 Hz to 16 kHz with a sensitivity of -50dB +/- 3dB.
A lot of information about this microphone’s technical specifications is lacking, but enough of that—let’s get to the good stuff. But enough of this; it’s time to start the tests. While I planned to do the most of my experiments without a windshield, I did wish to conduct a few with protection. Though it may have been overkill for this microphone, I also tested the Rode windshield. That’S 37. I’d say it’s around 25, but it’s a tad bulky for this microphone.
After that, I decided to see whether an SM7B replacement windscreen would work, and it does, kind of. A conventional tiny bit longer foam windscreen, however it does appear a little strange and lumpy if it’s the best fitting windscreen. You may think of this as a stage version of a foam windshield. I could add a link here, but it appears that the five excellent individuals who were supposed to use this with it intended me to use this one. They may already have their own windshield, or they may decide to release one in the future. I don’t think they have, but since this one is the cheapest and seems to be the most appropriate, I’ll use it for a few experiments; let’s begin with a proximity effect analysis.
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Close closeness of the k669d causes it to sound like I’ve been saying k669d when I really mean k669d. My bad. If I may, let’s try some plosives right now. testing the explosivity of pickled penises testing the explosivity of pickled penises using some pickled penises for a plosive test testing the explosivity of pickled penises pickled peanuts as a high-explosive test use a handful of pickled peanuts as an explosio the plosive test This is a plosive test with pickled penises as an alternative to peanuts. In other words, if you’re a gamer and you’ve got a keyboard with incredibly loud keys, you should get this microphone and smack the [__] out of it. The worst-case situation involving several Cherry MX Blues is depicted below, along with how the keyboard reacts negatively to the sound.
However, at this time, we shall put the polar pattern to the test. I’ll also run a test with white noise and chat around the microphone a little. Look, it’s the microphone’s front face! We’ll perform the white-noise test from the microphone’s side, then its back, then its other side, and finally its front. The time has come for me to speak the truth. Now comes a test, and it’s a big one, perhaps the biggest one ever.
In the end, it might be what saves the world. My precise distance from the K669D is one foot, therefore let’s do a kitten per test right now. The k669d is now two feet away, and the k669d is now three feet away. Now, instead of using, like, pretty costly plug-ins and running a post-processing test, I’m just going to enable the radio setting on my Focusrite Vocaster 1, as it includes built-in DSP. With the Vocaster One’s radio gain set to its default of 50%, here’s how it sounds. The radio preset appears to have a rather high amount of compression, a moderate amount of bass increase, a moderate amount of mid-range decrease, and a small amount of treble. Here’s how it sounds with the Vocaster’s digital signal processing on; next, I’ll take the mic to an untreated, very reverberant room to see how it fares.
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These five excellent K669s are currently being recorded in an untreated room, which is about as bad as it gets for audio production. As far as recording environments go, this one is on par with, if not worse than, a typical bedroom. As for the microphone, I am using the included mini-tripod to support it in my hands. Since I won’t be doing any major relocating, I’m hoping that the noise level caused by handling won’t be too high. But now that the bad chamber has been abandoned, let’s return to the good one. In spite of the fact that this is intended for podcasting and everything, let’s quickly put it through its paces with some acoustic and electric guitars.
Thanks a lot for the foreign [music]. So, now that we’ve finished our testing, let’s compare the two in detail. In a pinch, I’ll use the microphone to wipe the slate clean. Introducing the Mackie EM89D.
You can get it for about $20, but this may be considered as well. That’s why I’ve been reaching for the palate cleanser; it’s kind of like a fresh start in a way. Right now, though, let’s pit these six microphones against one another and see which one comes out on top. For reference, here is what the first microphone sounded like. The second microphone’s recording is played for you below. As an example, listen to what mic three sounds like. You’re listening to the output of the fourth microphone in this set. This is the output from the fifth microphone used in this evaluation. Sixth microphone sampled for evaluation is available below. The second microphone in this extremely redundant experiment has now been put to the test. This comparison is getting old fast, but here we go again with microphone number four.
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Here we go again with a comparison test; this time it’s microphone number six. Here comes yet another comparison using the first microphone. In this now-repetitive comparison, we’ll put the third microphone to the test. Fifth microphone in this extremely repeated comparison has now been put through another test. This is the final round of testing for the second microphone.
The sixth microphone has completed its audio testing. Mic 3 is being put through its final audio test now. The fifth and final microphone has completed its audio testing. First microphone number one has completed its audio testing. The fourth and last microphone has passed its final listening test: When I show you how a microphone stacks up, do you have your popcorn ready?
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